The day 'Family Guy' was good

July, 2006, friday night, around 1 am, Rio de Janeiro, Brazil. I'm bored in my bedroom doing useless stuff on internet. The phone rings. A friend (who was clearly out of options to go out with) asks if I want to go out. "There's this dance club that we always go", he says. "It's a little bit underground, but I like it a lot". I never used to go out in Rio, don't ask me exactly why, but since being at home was terribly boring, I took a very quick shower, picked a cab, and went with my friend to "Casa da Matriz". It was my first contact with "indie music". After that night, not only that guy who called me became really a friend, but also that type of music would in some sense define who I am now, and I would go pretty much every week to "Casa da Matriz" until I moved from Rio in July, 2007. Funny that when he called me I didn't have a clue about that...

March, 15, 2007, Rio de Janeiro: Sunday afternoon and I'm watching a movie at a local theather. The phone rings. My roommate (an old brazilian woman, very nice, btw), who speaks English well, tells me that a guy from New York University just called looking for me, and that I should call him when I have the chance. I knew well what that meant. Acceptance in NYU! Of course, I didn't finish the movie (funny that I don't even remember which movie was), I ran to home like my life depended on it. You know, just like in the movies, when someone is very excited or anxious (or both) about something. Up to that point, I had only rejections from big schools like Berkeley and Yale. also, just two days earlier I went out to celebrate my friends's acceptance in Harvard! I was devastated because, among other things, I had better grades than him. I knew that he was going to do better than me because, oh well, he is better than me, but I didn't expect so much. I mean, he gets in Harvard, and I get just medium schools? How is that fair? I thought at the time.

So it was really a big relief to be accepted at NYU, the first top school that I got in (I would be accepted also in UPenn and Chicago, other schools at the top of my list). Anyway, I got home that Sunday and called the professor and confirmed that I was accepted. Next day, monday morning, around 11:30 am, I'm back at home, my roommate asks me if I was happy with the acceptance and I say: "Well, I'm just back from the celebration, what do you think?". I was more relieved than happy, like letting a big burden go away. And at that time it was pretty clear that I had learned how to party hard...

I don't know why I brought these events here. I was just thinking it's funny that some days become special when you're not really expecting them to be. I mean, at that Sunday, I didn't expect a call from NYU because, among other things, "they don't work on sundays", I thought. I was very miserable and that basically saved my week.

Some day last year, Bobst Library, NYU: I was there for god knows so many hours. Suddenly, the prettiest girl ever walks to me and asks: "1994 is, like, the twentieth century right?". Paralyzed by how gorgeous she looked, I just said: "Yes". Then she did a face like she was thinking: "Oh, such a stupid question" and walked away. I never saw her again. Later I was thinking: "Oh, you could that used that as a conversation starter, maybe that was the point, or you could have said how stupid she sounded, so she would be pissed off, and you could have used that as a conversation starter, but you should have said something better than just yes!" But then it was too late. I missed the opportunity.

What I'm trying to say is that life is about expecting the unexpected, taking the opportunities when they show up. you never know when you're going to have the chance of your life, something that could completely change your destiny... or not. The important thing is to be prepared and for most of the time I think I'm not, so I should make an effort regarding that.

All of this philosophical talk was (feel the irony...) motivated by 'Family Guy'. The irony is that I was watching 'Family Guy' in a saturday night just before going out (and getting ridiculously wasted...), and I am NOT a fan of that cartoon. On the contrary, I agree with the 'South Park' view that 'Family Guy' has random (and pointless) jokes and that it's just a cheap rip off 'The Simpsons'. But, mysteriously (or not), 'Family Guy' makes me laugh sometimes and even inspired me to write about it...

Anyway, the episode was about 'Peter' (the 'Homer' of 'Family Guy') getting nostalgic and wanting to go back to when he's was 18 years old. Then, in a ridiculous, yet funny way, his wish was granted by 'Death' (you know, the guy with the black coat and the ax...), and he was able to go back in time, but just for one day. But it turns out that he decided that he didn't wanted to go out with his girlfriend 'Louis' ('Marge'?) . Instead, he spent the night with one of his friends. The problem is that, at that night, his girlfriend, being abandoned by Peter, fell in love with another guy, changing the whole future.

When Peter came back to the present, he realized that everything was different and he no longer was married to Louis, and no longer had kids. Then, after some reflection with his talking dog (ok, Family Guy, I gotta admit, dogs don't talk on 'The 'Simpsons'. Am I being too hard on them? I think I am. I'll stop now...), Peter concluded that he should never have left Louis on that night. Thank god that in the Family Guy world things are so easy, and 'Death' can make Peter go back in time again and make things right. And, then, if he screws up again, he can go back again and again, until he does the right thing. The point is: an apparently small thing turned out to be vital for Peter's future, and he had all the chances to blow it, but he didn't. The same thing goes for my life.

What if I didn't go out with my friend at that night in 2006? He called very late, and I had every reason to turn him down, but I did not. Would I be listening to MGMT if I had not go out that night? What about the interesting people (by people, I mean girls) that I knew directly or indirectly because of that? Would I still be listening to emo stuff spending my saturday nights at home? Maybe not. Maybe I would be into "Indie rock" anyway. The point is, I'll never know. In real life, there is no 'Death' to make you go back in time. so I should stick to every opportunity, no matter how small or uncertain it may look like.

This really resonates on my actual moment, not only on personal grounds (that I'll not talk about here, I don't think that would help me...) but also regarding school. I keep thinking that "there is still a long way to go, that my PHD is 4 or 5 years in total, that is like forever, right?" But it is not. It's true that what ultimately matters is my job market paper (google it, if you don't know what that is!), but maybe the courses that I'm taking right now will lead to events that will determine what kind of job I'll get. Or maybe the courses are all useless and the network connections that I make now will make a real difference. Or maybe it will be an internship. The point is, life is too short and I cannot, and I will not, let things pass by.

Wow, a simple 'Family Guy' episode led to this. I gotta give that cartoon more credit! What happened to Peter in the episode that I was talking about? I do not know. I didn't finish it because I was so eager to go out. Last night, the episode was just a way to put me in a good mood, to get psyched to go out. Only after 4 hours of dancing, sleeping, having a small hangover, and going to the gym, I gave it more thought and decided to write about it. And maybe I will watch the entire episode now... See, my life is full of small ironies.

PS: I had a great time clubbing last time. They played kids, by MGMT. That, alone, makes half of a night.

Album Review, Yeah Yeah Yeahs, It's Blitz!

  After the first listen, I described this album as being one with two killer singles, and a lot of songs that I wasn't comfortable with. That wasn't fair. This is probably my favorite album of the year so far (and I really liked Franz Ferdinand and Lily Allen's releases!), so here comes my final (or not) veredict about it:

"Where are the guitars?". "They are just going electronic, doing what everyone else is doing", "Karen O is not screaming as in the other records". Who cares? Apparently a bunch of closed minded fans who would be happy if one of the most talented bands of this decade just tried to rewrite 'Fever To Tell' in every album. It's true that could work. A band can survive and manage to please fans by doing exactly the same in every album (hello Kaiser Chiefs!), but the YYYs are just better than that. 

It's Blitz! is, above all, an amazing reinvention exercise, of a band who is able to change things and still remain more than interesting. 

Opener track and lead single 'Zero' gives you the right idea of the quality that you're going to find in the rest of the album. A dance track with synths a la TV On The Radio, once it takes off, it feels like nothing can stop them. 'Your a zero, what's your name, no one is gonna ask, you better find out where they want you to goo!', this has been the sound track of my life for the past weeks and I just don't see myself getting tired of it.

Things get even better with 'Heads will roll'. 'Off with your head. Dance till you're dead!'. You know that feeling of going out, getting wasted and dancing all night long like nothing else in the world matters? This is just that. I can see this taking over indie dance floors all around the world and for me is a serious candidate for track of the year.

Third song 'Soft Shock' slows down things a little bit but never too much. The party feeling doesn't really leave here, although this may please fans of slow music. 

Just when you start to think that they came up with a dance album, there comes the surprise. Many ballads trying to rewrite 'Maps' but with new and interesting elements. Most critics seem to love 'Skeletons' (Pitchfork gave it grade 8, for a mainstream band that's a lot) but I'm really not into it. I just think it takes too long to take off, but anyway it's a small defect in a very good album.

"Dull Life' is just old school YYYs. Strong guitars and drums, lots of screaming. 'Orgasmic' is how a friend described me this track when the album leaked. I think it is a a prefect description.

In 'Runaway', they push harder in new directions. A ballad starting with just piano! Sure it is very different that what you could expect from them, but I see a potential to become a fans favorite. Beautiful!

At first listen, I didn't like 'Hysteric', but it is definitely a grower. In some sense, you find the best balance here the YYYs from 'Maps' and the new dance floor friendly group from 'Heads will roll'. And I always admired the way this bands talks about love, without being too cliche. After "they don't love you I love you" form 'Maps', Karen O sings here 'Flow sweetly, hang heavy, you suddenly complete me'. It's such a touching moment. I just can't get enough of it.

The album closes with 'Little Shadow' where YYYs teach U2 how to aim big without being boring. A song to sing along, to get sentimental, but without losing the personality that was always characteristic of this band. A very nice way to close the album.

But don't think the party is over just yet. Bonus track "Clap Song' is a surprisingly nice pop moment, with strong synths as in 'Zero'. Why do they always do this? Songs this good shouldn't be 'bonus tracks'. 

"Last on the village scene, fall apart, I'm hot, more alive than you've ever been", sings Karen O in 'Dull life'. At age 30, she is at the top of her game and she knows that. With another complex yet accessible pop effort, YYYs might have just become bigger than the sound.

GRADE: 9 out of 10

  

Music that I listened to recently

It's been a pretty exciting year in terms of new records. unfortunately, i didn't have time to hear everything, but I can say something useful (or not) about some records.

Glasvegas, Glasvegas: I was lucky enough to catch them on virgin MegaStore at Union Square. it's a very solid record, and very emotional. If you're not touched by a song like "Geraldine", sorry, but you're dead! Still, it's too little compared to New York bands like MGMT or Vampire Weekend. It's sad, but Glasvegas was the best thing that Britain offered us last year...

Superbus, Lova Lova: Anyone that played Guitar Hero knows this underrated band, considered by many the 'french No Doubt'. I love the lead singer. She's so cute and with a lovely and sexy voice. This album is not their best, but it's pretty solid. 'Key Hole' is my favorite track.

Lily Allen, It's not me, it's you: Put simply, Lily is the best woman in pop music today. Everything is as catchy as hell in her sophomore album. And I was lucky enough to go to her myspace secret show in Bowery Ballroom a couple of weeks ago. pretty good!

Papa Roach, Metamorphosis: I have to say this, but I agree with everyone: Ever since lovehatetragedy, Papa roach has been down the road, with each album being worst than the previous one. Thought that "The Paramour Sessions" was bad? At least there were some very good singles in the pseudo-emo formula of songs like 'time is running out" and "forever". Here, everything is boring. Sad, but true.

Kelly Clarkson, All I Ever Wanted: Ok, I admit I like her. While most songs here are boring, there are some pretty good moments. "I do not hook up" is very addictive. And "My life would suck without you" made something I didn't think was possible: something better than "Since you've been gone". so do yourself a favor and don't buy this album (buy Lily Allen's instead), but definitely get the singles. They are/will be more than worth it.

The Von Bondies, Love, Hate and There's You: A dirty band, with a nervous and fast song. Not much changed since their debut. You still can enjoy them for a while, but will forget them fast.

Artists without an album:

Amazing Baby: They will continue the "Broklyn domination" as soon as their debut is released (who knows when...). I saw them live last year and i'm going to see them again in april. Hope they play new songs. Very excited.

Little Boots: Knew her because she topped the BBC's list of promising new artists. She will be big. I feel it.


Wow, three posts in a week. I'm really feeling like writing these days. Just hope that translates in research this weekend. See you folks (probably speaking to just myself ...)

Yeah Yeah Yeahs is back! It's Blitz! review.

Note: No drama this time...

One of the most exciting bands of this decade is back, and obviously is such a big time. But is their third effort worth the wait? Does it live up to their very high standards? If you're reading this, you've likely heard the album that leaked almost two months before its release. Now, if you ask me, I think that's kind of unfair with the band and I feel bad for hearing it, but I just couldn't hold my curiosity. Specially after hearing the first single... Anyway, let's get down to business.

Opener (and lead single) "Zero" sets the bar ridiculously high for the rest of the album. A dance track with the so called "Euro pop" feel. It kind of reminds me of The Killers's "Human" in the sense that it starts slow and becomes faster over the time. Here you see clearly how much better YYY is than The killers. unlike "Human", you don't get tired of the tune after 30 seconds. In fact, the opposite happens. As the song progresses, it gets better and better, and in the end you're wishing for more.

And you get more. Next song, "Heads Will roll" is possibly the best song that these guys ever wrote. Here you don't see a post punk band anymore. You see a serious flirt with dance music. People have been comparing this with New Order's "Blue Monday", but I think it's much better than that and YYY will certainly take over the indie dance floors this year. "Dance, dance, dance till you're dead!", these are probably the coolest lyrics that I heard since MGMT's "Time To Pretend".

In the next song, "Soft Shock", things slow down. Now I confess that i'm a big fan of fast tracks, but this one is pretty sweet and enjoyable. Just when I was starting to wonder if the guitarist was still alive, comes "Dull Life". with its more traditional YYY's sound, with heavy guitars, this is going to please "old school" fans. it's not as good as the first two songs, but it's still pretty good.

In their constant search to change their sound, sometimes they seem to push too hard. Ballad "Runaway" starts with just piano! This really was weird in the first listen, but after some time I started to like it. Songs like 'Little Shadow" and Hysteric" seem a bit difficult to me, but I just can't hate them. There is a sense in which this album seem complex and very well done. If Coldplay makes an album and I don't like, it's their fault, of course. But with YYY it sounds like I'm just not smart enough to enjoy the songs, and they will grow over time.

Or maybe they won't. The fact is; "Zero" and 'Heads Will Roll" are so awesome that I highly doubt that I will ever care about that.

I can't wait to see them live!! Hope they announce dates in New York soon.

Grade: 8.5 (out of 10)

Random Stuff

NYU girls are absolutely gorgeous and elegant. Almost two years of school here, and I'm still impressed. Too bad I don't have many opportunities to explore the huge potential of my school...

I still suck with girls and I wonder if someday I'll get better. Why is it so hard to just make a move? Fear to be turned down? This time there are other things involved.

My classes are not really as good as they should be. Today Monetary Economics was pretty boring. And it seems that time just doesn't pass when I'm not paying attention. Hope it gets better next week.

If 2008 was the year of new bands (MGMT, Vampire Weekend, Crystal Castles...), 2009 might well be the year of "old" bands. I'm not just talking about Franz Ferdinand, but also Lily Allen, Superbus, Yeah Yeah Yeahs (single Zero is my new favorite track), Green Day, and maybe The Strokes and The White Stripes. Oh yeah, and Arctic Monkeys, of course. I have a very good feeling about all these albums.

In the past weeks, I was able to go out a lot and went, as usual, to a lot of concerts (even some that I wasn't that excited about), but the best part was to find new clubs and indie parties. It turns out that New York has a lot to offer in that matter. And that's really good news for me. To be able to go to a place where I can listen to good music, dance, get drunk and meet girls. That's all I ask for.

After another (!) cold, I think I'm in good shape now. Plus, school has been not extremely demanding in the past weeks. Then why the hell I'm not happier? I think I'm doing fine but that I could have it so much better...

I'm not a good writer. This post is pretty lame. Maybe I should delete it. Whatever, I'll post it.   

"You're zero. What's you name? No one is gonna ask you about it..." This is stuck in my head. Watch out, Franz Ferdinand. The competition for album of the year will be hard.              

Album Review, Tonight: Franz Ferdinand

"How did Scottish people ever have sex before the existence of Franz Ferdinand? " That's how Spin magazine opens its review of Franz's third album. Well, I'm not Scottish but right now it's hard to imagine how I was able to enjoy music before these guys... It's not necessary to talk here about how good their first two albums are and how anticipated 'Tonight' was, specially after all the buzz over their live concerts in the last year, where a lot of new songs were exaustively tested. I'll just say that my expectations were pretty high because Franz Ferdinand has been one of my favourite bands in the last months and I actually went to one of their concerts and saw how good the new stuff is live. Because of that, I was a little worried, worried to be disapointed, worried that they could have fucked up some of the songs that I already loved, etc... For that, my first sentiment over the new album was relief. This pretty much lives to all my expectations and may be even better than I was expecting, may be even their best album! 

'Tonight: Franz Ferdinand' is a fast album, an album to hear before going out, like Alex Kapranos described it months ago. But I'd say more than that. It's the kind of record that you can put in a danceclub without remixes and that's pretty fucking awesome! There are a lot of synthetizers and the eletronic feeling is much stronger now. Anyone with legs will dance hearing this record. It's not a lot different than their previous records, but there are new directions, like Lucid Dreams, now with almost 8 minutes! In some points, they seem inspired by acts like Justice and this may not please everyone, but for me it is more than enough. If there is anything to be criticized, it is that it feels too short. But so, are the best things in life... Below, I give a track by track review. 

Ulysses: The record opens with Ulysses, the lead single. The synths are strong here, a good indication of what awaits you. They also have a chorus with the already classic 'la la la' and I simply love it! Grade: 9.5

Turn It On: There were huge expectations about this one, labeled by many the new 'Take me out'. If that will be case, I don't know, but right now I can hardly think of a better way to spend 2:21 minutes... Grade: 10 

No, You Girls Never Know: This was previously called 'Katherine kiss me' and this was the first new song that I heard months ago. The studio version has more synths and it really feels better than the live version. Grade: 8.5 

Send Him Away: One of the best surprises, I didn't know this one. The pace slows down a little bit here, but just enough to get your breath back and the chorus is very nice. Grade: 8

Twilight Omens: This reminds me of The Beatles but without losing the Franz's appeal. It's one of my favourites. Grade: 9

Bite Hard: It starts slowly and suddenly gets really fast, more or less like 'Jacqueline'. Again, the synths and the dance feel are very strong. Grade: 9 

What She Came For: This was one of my favourite songs even before hearing the studio version. Now I can safely say that the album version rocks. For the first three minutes or so, we see Franz at their best: electric pace, killer chorus... In the end, a surprisingly good sequence, with heavier guitars. Fantastic!! Grade: 10

Live Alone: Another pretty good song. It will not be a single, just because this album is so damn good, but it will get a lot of airplay.. from me, at least. Grade: 8

Can't Stop Feeling: The beginning is a little bit weird and at first I thought the synths were too strong. Now I love them. It's better than the demo version. Grade: 8.5

Lucid Dreams: Probably the most controversial song of the album. Not only it lasts almost 8 minutes (!) but it is also very different than the demo version that everybody knows. A lot of fans seem to be pissed of by this, but I'm loving it. Specially the last three minutes, where it feels like Justice in their best moments. Amazing! Grade: 9.5

Dream Again: Ok, no record is perfect. This feels out of place. Too slow for me... Grade: 5

Katherine Kiss Me: This has the same lyrics as 'No, you girls never know', but with a slow pace. Nobody can say that they were not ambitious... Grade: 7

Most of the time it's hard to review an album track by track because rarely you find a record where more than, say, 3 or 4 songs are really good and this has 10 great songs (!). What a killer way to start 2009. 'Tonight' is Franz Ferdinand's statement that they are the best indie band of the planet. Very well done, guys! 

Grade: 9.5

The 10 best albums of 2008!

After a crazy end of year (details later...), I'm back with another 'best of' list. If 2008 was a bad year for me in general, musically the year was pretty positive. A lot of shows and a more mature taste made 2008 the best music year of my life.

The new metal and emo bands lost a lot of space, specially with blockbusters like Paramore and Linkin Park not releasing new material. Metal bands also lost ground. No Angra and almost no Nightwish this year. But Metallica really won me with Death Magnetic, possibly one of my 5 favourite metal albums of all time. But relax, I won't say here (again!) that they came back to the good, old times prior to 'The Black Album', because I'm not a big fan of their 80's stuff anyway. But it's a kick ass album, and it's good to see them answering critics in such a great way... 

Speaking of comebacks, how satisfying is it to see Britney Spears releasing such a great album? Circus almost made my top 10, I would consider it number 11. Other pop acts, such as Katy Perry, Pink and Rihanna also impressed me a lot and they could be in my list if the year wasn't so good for indie rock. Yeah, 'indie', whatever that means, is where my heart really is and this will be clear below. Finally, there are three Brooklyn bands in my list and that really makes me feel good about living in New York. That also makes me consider leaving Manhattan and moving to Williamsburg, but that's another story... Anyway, here comes my list.

10. Kaiser Chiefs, Off With Their Heads: At first I hated it because it is so similar to their other albums, but now I love it. Yes, the Chiefs are not going to change your life like TV On The Radio (I'm being sarcastic...) and they are not going to be U2-big like The Killers (I love irony...). Kaiser Chiefs is just a band to dance to and have fun with. That's more than enough for me.  Best song: Never Miss a Beat.

9. Black Kids, Partie Traumatic: The lead singer's voice is very similar to Steve Bay's (from Hot Hot Heat) and we all know that that band is basically nothing after Franz Ferdinand. Not only the voice, but the songs structure is also similar. How could they succeed with that? With female backing vocals that are cute and sexy at the same time, of course. After all, Franz doesn't have girls singing. Come to think of it, it's a very smart yet simple trick. Hot Hot Heat should consider that in the future...  Best song: Partie Traumatic.

8. Chairlift, Does You Inspire You?: Two Brooklyn bands seem to be everyone's favourites to be '2009's MGMT'. One of them is Amazing Baby, which still doesn't have an album out. The other one is Chairlift. Even thought they are in practice a 2009's band, they already have an ipod commercial's hit song-Bruises-and a surprisingly polite and clean album. Think about cute music a la Feist, but with tons of Bjork. Interesting? You bet your sweet ass it is! Best song: Garbage.

7. Metallica, Death Magnetic: No more wood drums, no more seemingly unfinished songs, no more flirts with new metal. Death Magnetic is Metallica's statement that St. Anger was an accident and that they totally deserve to be considered 'THE metal band'. Best song: The Unforgiven III.

6. The Kills, Midnight Boom: Most of the time It sounds  as a combination of The White Stripes with Garbage. I can hardly think of a more exciting mix. Can you?. Best song: Last Day Of Magic.

5. Crystal Castles, Crystal Castles: Probably the most original debut of the year. When you sample 8-bit videogame sounds and have a girl screaming, most of the time senseless words, and call that music, the bet is high. If something goes wrong, not only you will not sell, but also the critics will kill you. Fortunately for these guys, everything went right. Their album was well received by critics, they have a cult fan base (I'm including myself here...), Alice Glass is NME's coolest person of 2008 and 'Alice Practice' is a huge success in indie dance floors. Forget about Justice, Crystal Castles is the new supercool electronic band!  Best song: Alice Practice.

4. The Subways, All Or Nothing: This album is similar to their debut and there's nothing revolutionary about it. We are talking about straightforward pop rock here, executed almost with perfection, an improvement over their (very good!) debut. Songs like 'Turn around', 'Kalifornia' and 'Shake! Shake!' are instant pleasures, but it was only after I realized the power of songs like 'Obssession' and 'All Or Nothing' that I saw how amazing this album is. It is the number one album in my last.fm and that's really really something because I listened to a lot of music this year. Best song: Shake! Shake!

3. The Ting Tings, We Started Nothing: The perfect combination of pop a la Kylie Minogue, and indie rock, this caught my attention in the first listen. Like The Subways's All Or Nothing, it has some of the best singles of the year, but it's more homogeneous than that album. Basically, every song is good! Also, I went to their concert three times last year, and all of them were pretty decent: The live experience feels like a very good party, the kind that you never want to leave. Best songs: Great DJ, Keep your head. 

2. Vampire Weekend, Vampire Weekend: At first, I didn't see what was special about them and the african beats seemed a little weird. I remember thinking: "Oh god, this sucks". Thank god I was patient and listened to them a few times before giving up. I really don't know which band I like better, this or The Ting Tings, so I flipped a coin (haha, more or less) and they are number two... Best songs: Walcott, The Kids Don't Stand a Chance.

1. MGMT, Oracular Spectacular: If you're into indie rock, you're probably tired of hearing about the career-making singles 'Kids', 'Time To Pretend' and 'Electric Feel'. But MGMT is much more than that. Take, 'The Handshake' for example. It starts slowly and becomes faster progressively in a nicer and nicer way. And the lyrics? Are they about fearing to sell out to a big label?  Or is the song about manipulating someone in a relationship? Every time I hear this song I think about it and I still  can't reach a definite conclusion. The fact that this happens with pretty much all the songs in this album already puts it above the rest. Also, 'Kids' is the best song that I heard in a long time, to say the least, and that puts MGMT's debut easily among the best albums of this decade. Regarding this band, the comparison should be with Arctic Monkeys, Franz Ferdinand and The Strokes. The standards are pretty fucking high...  Best songs: Kids, The Handshake.